Tuesday, February 12, 2019

Tode Jukun: The 10 sales pitches of Anko Itosu

In 1908 Anko Itosu, the father of Modern Okinawan Karate wrote a letter to the Ministry of Education and the Ministry of war in Japan trying to draw attention to Karate. His intent seems to meander from pushing Karate as a form of fighting to a pushing it as a way of developing health and the body. This to me shows two things; first that Itosu was writing this off the cuff without much planning or thought out intent and secondly that he obviously was not as elegant a writer as Funakoshi and even Sakukawa Sensei was.

The letter starts out:
“Karate did not develop from Buddhism or Confucianism. In the past the Shorin-ryu school and the Shorei-ryu school were brought to Okinawa from China. Both of these schools have strong points and I therefore list them below just as they are without embellishment.”

In the letter he writes about the stances of “Tang Te” or Chinese hand, which is a telling point about when it was written and the ideals at the time. The Ministry of War at this time would refer to the Japanese ministry of War and using the “Tang Te” name may have actually served to slow the progress of Karate as Japan was still not on good terms with China.
One point of interest right off the hop is that Itosu refers to Karate as not coming from either of the most common religions of Japan and China, however it does not say anything about Shinto. Also, Itosu comments that the two schools of Karate were brought to Okinawa from China…. not the three….and he refers to them as Shorin and Shorei not Shuri and Naha. 
Itosu then goes on to list his 10 “Precepts” or explanation points about Karate. Keeping in mind that he is presenting these to official Ministry officials and trying to help build his following and bridge the gap between the martial art thought of as a esoteric and elitist activity and bring it into the mainstream. Karate was not always the art that it is today, practiced at every community center and seen as a common activity in every community. It was once a art form that was practiced by the elite in Okinawa, created for the body guards and officials that were in charge of working with and protecting the Okinawan king.
Itosu and his peers (of which many did not fare as well as Itosu) now had to transition into other careers and support themselves and their families after the weak Okinawan emperor fell and abdicated his rule over the island nation to the Japanese.  He is using this letter with ten points to reach out to two very different groups, the military and the education ministry, to see if he can find an in with one of them to help teach his art and earn a living. In the end the education ministry showed interest and Itosu and his students flooded into the school system and started teaching Karate to school children, altering their approach to training to suit the children they were now presenting the system to.
This was a stroke of luck for all of us, the art form would have been very different if the Ministry of War (military) had picked up the art form for training their solders and the Ministry of Education had rejected this art form. I will present the twisting and turning, and somewhat desperate sounding, letters 10 points to you and add my own notes so you can see what Itosu had presented to the Ministries and what we should take from this letter.
It is very important to note that BOTH directions he was aiming for would still have created a great art form and the art form that Itosu was presenting was still functional and effective, he was however at a cross roads in his life, which is why the letter seems to be aiming in two directions at the same time.
At this point in time the Sino-Japanese war over and Japan had invaded Taiwan, Japan was about to force Korea into being a protectorate of Japan as they expanded their empire all over the Pacific region. Japan was ramping up to invade Manchuria in a few decades. The nation was growing, and its influence was being felt across the pacific. Itosu had lost his position and was desperately looking for a way to make ends meet.
It is with all of this in mind that he sent the following precepts to the Education and War Ministries to try and gain traction, grow his art of Karate and create a industry that would help him earn a living. Unlike the laws of Bushido and the Dojo Kun the 10 precepts of Itosu are more a sales pitch, the ideals that are presented are meant to introduce Karate to those that do not practice Karate and in such they create a very unusual chance to see what a well known practitioner thought of Karate as he presented it to the outside world.

The 10 Precepts of Itosu:

 1. Karate is not merely practiced for your own benefit; it can be used to protect one's family or master. It is not intended to be used against a single assailant but instead as a way of avoiding injury by using the hands and feet should one by any chance be confronted by a villain or ruffian.

               


                This is an interesting way to start the 10 points. Essentially Itosu is talking to both the Education and the Military Ministries with this starting point. He is also not very direct when you read it over and over. He says basically Karate will give you a strong body, but it also mentions being able to fight and have the courage to risk one’s life to support an effort of defense. This is obviously to attract the War Ministry directly.
                Duty and honor were very big in Japan at this time, they were in the middle of an expansionist era with a focus on nationalism. The idea of honor and duty of the general population would have appealed to the ruling class. Also, the focus on creating a system of teaching basic fighting skills to students and youth would have kickstarted the military careers of many of the youth that would be feeding the War machine that Japan had turned into at that point in its history and to have a disciplined fighting force that was prepared prior to military training would have been ideal to the War Ministry.

2. Karate’s primary purpose is to strengthen the human muscles, thus making the physique as strong as iron and as hard as stone. One may then use the hands and feet as weapons – such as the spear and halberd. In doing so, Karate training cultivates bravery and valor in children and should, therefore, be encouraged within our elementary schools. Do not forget what the Duke of Wellington said after having defeated Emperor Napoleon: “Today’s victory was first achieved from the discipline attained within the playgrounds of our elementary schools.”

It is obvious at this point that he was hoping the War Ministry would take notice of the built-in military like training that the students in Okinawa would be getting. Ironically the Okinawans were not seen as equal to the Japanese in the military and were instead often put into Boeitai units or “home guard” units made up of 20-40-year-old reservists in places like Okinawa, Korea and Formosa. Nearly 20,000 Okinawans served in Boeitai units on Okinawa during the battle for Okinawa. These Boeitai were seen as lower class than the imperial army counterparts however. It still seems ironic to me that Itosu is trying to sell that his art would create a perfect fighting force…when the fighting force would not be part of the IJA (Imperial Japanese Army) and many of the Okinawans still did not see themselves as being imperial subjects.
Proving however that training would create good soldiers was Itosu’s focus. As proof he was correct nearly 10,000 Boeitai soldiers, mostly armed with spears and hand grenades died fending off Americans for the Japanese at the war of Okinawa.

 3. Karate cannot be quickly learned. Like a slow-moving bull, it eventually travels a thousand leagues. If one trains diligently for one or two hours every day, then in three or four years one will see a change in physique. Those who train in this fashion will discover the deeper principles of karate.

                Now Itosu backs away from the War Ministry and aims at the Education Ministry. Also, this creates “real expectations” kind of feel to his pitch. The reality of training, as is laid out in this part of his sales pitch is that Karate takes time to learn and to be able to practice properly. You won’t see a miracle change in someone with in the first year of training, it takes up to three or so years of hard training for a student to have enough skill to defend themselves and allow for enough time for Karate to impact the body in such a way as they can use the skills they have learned.

 4. In karate, training of the hands and feet are important, so you should train thoroughly with a sheaf of straw (#). In order to do this, drop your shoulders, open your lungs, muster your strength, grip the floor with your feet, and concentrate your energy into your lower abdomen. Practice using each arm one to two hundred times each day.

                You may have to read this one several times to understand this statement. Itosu is suggesting that you have to work with a Makiwara (Sheaf of straw). He then explains how to it the Makiwara for maximum improvement in your Waza. Note that the striking is set at about 100-200 times a day. This would lead to the hardened fists that we are used to seeing on practitioners as well as the calluses that we see today on many hands of those that use the makiwara.
                This is his suggestion for Hojo undo or auxiliary practice, however you will note that he does not stipulate that this is the ONLY training you should do. Itosu was also not the definitive source for Karate training, his history suggests that he was not very high on the ladder when it came to knowledgeable masters.

 5. When you practice the stances of karate, be sure to keep your back straight, lower your shoulders, put strength in your legs, stand firmly, and drop your energy into your lower abdomen.
                I find it strange that in the middle of Itosu’s sales pitch to people who know nothing about Karate that he added this to the mix. The advice and explanation is dead on, it’s great to see that he is explaining the basic Karate stance…to someone that has no idea what he is talking about. This is not just out of place but also kinda weird.  We go from really a letter focused 90% on sales pitch to outside sources and then into the stance of Karate. Its like he transitioned from talking to people who were uninitiated to writing to his students…..and it continues…..


 6. Practice each of the techniques of karate repeatedly. Learn the explanations of every technique well and decide when and in what manner to apply them when needed. Enter, counter, withdraw is the rule for torite.
                So, Itosu himself is now suggesting that one should study the movements and techniques and come to a decision as to what manner to apply them and when these are needed. My interpretation is Itosu is suggesting that we need to train…Duh…and then interpret the movements in Kata for ourselves. This seems to identify the fact that even at Itosu’s level and generation there was NO SYSTEMIC IDIOLOTY REGARDING BUNKAI OR OYO.  So, all those modern day Bunkai guys that say the old Karate guys had a plan for each move of Kata…. yah, not so much!
                Its like I tell my students, train hard with an open mind and figure out applications for yourself, what I teach you are my interpretations for Kata movements, and Itosu seems to be backing me up here.

7. You must decide if karate is for your health or to aid your duty.
                Back to the sales pitch here! Itosu is now flipping a coin, he is presenting his approach to two groups that may have similar ideals for the people they would employ him to teach, but he is now saying it could be a health thing…or to aid your duty! By aid your duty he is inferring its for defending yourself and your country again.
                I honestly think that he is using this to infer that you can train for defense or you can train to be in good health, you can not do both, which is counter to all modern dogma and sales pitches.

 8. When you train, do so as if on the battlefield. Your eyes should glare, shoulders drop, and body harden. You should always train with intensity and spirit as if actually facing the enemy, and in this way, you will naturally be ready.

Um, so now he is telling people that their mindset during training will get them ready for combat against an enemy. Duh!  He is now back to telling the War Ministry that you can create warriors with Karate that will be good at fighting and defending themselves because they will have mentally prepared by training in Karate.
                I have no issue with this other than he seems to be mixing up his audience again. This is a letter to the two different Ministries and yet the line is written as if it meant for a student. Very confusing and I am thinking that he is confused a great deal at this point in his life. He knows that he has to create a opportunity to make money and live after having lost his job with the government of Okinawa, but he is writing this as if he is talking to actual students.

 9. If you use up your strength to excess in karate training, this will cause you to lose the energy in your lower abdomen and will be harmful to your body. Your face and eyes will turn red. Be careful to control your training.

So, Itosu is now suggesting that hard training or over training is not good for a student. Again, this is geared towards the students and suggests that one should not train to hard. I know that intensity training is a more modern construct and in the past one would think of health and train to keep moving, a light easy approach with some focus on harder training intermixed with lots of easy training. Also, the training was geared towards younger students who were in better shape than older practitioners.
It would seem that Itosu back peddles a bit on his assessments of hard training previous, he had pointed out that Makiwara training was needed, and he now suggests that lighter training done for a life time is better. I have no clue how this fits into the sales pitch that he is making to the Ministries but he threw it in their to remind people not to overdo it in training.  

 10. In the past, many masters of karate have enjoyed long lives. Karate aids in developing the bones and muscles. It helps the digestion as well as the circulation. If karate should be introduced, beginning in the elementary schools, then we will produce many men each capable of defeating ten assailants.

                Back to the duel sales pitch!  I agree that people who train in Karate often see great physical improvements (Flexibility, cardiovascular health, muscle tone ext) however the fact that a few of the masters lived longer than the average is the better sales pitch.  However, its also important to note that most of them died of very normal things that Karate did not affect really.
                His go to is to sell the ministries on starting kids in Karate so that they can help produce students that will grow into great warriors for the War ministry. Great approach if you are looking at creating a bunch of soldiers that will die for their country. Most modern instructors would not relish the thought of their members dying in wars or going to war in the first place, but Itosu had a living to make and if only a few of the young children he was teaching became military members to die for Japan then so be it.


If the students at teacher training college learn karate in accordance with the above precepts and then, after graduation, disseminate this to elementary schools in all regions, within 10 years karate will spread all over Okinawa and to mainland Japan. Karate will therefore make a great contribution to our military. I hope you will seriously consider what I have written here - Anko Itosu, October 1908

                Itosu ends the letter basically laying out that his system of fighting, this new aged (At the time) martial art could help the country build up many students into military warriors and it will spread quickly, in one decade those that were taught Karate from a young age would be ripe for military service. He brings around his sales pitch and drops it on the Ministries as a great way to help them.
                Pretty much anyone who reads my blogs knows I am not a fan of Itosu and I also think that Azato was Funakoshi’s primary instructor and he probably had little time with Itosu. This letter from Itosu to the ministry really makes me feel that he was a man of lesser character than Azato. Not only was he pandering to the Japanese Ministry, a government body in which most Okinawans did not have a lot of respect but he is basically is saying “let me train kids to go die for Japan”.
                I really started reading this sales pitch when I was researching a book on different “Kun” from Sakukawa and Funakoshi. I had included it in the book research at first hoping to include it in the book, but after really looking at the precepts and digging into them, reading what others had said and reviewing it I pulled it from the book because, to be honest, it has no place in a book dedicated to how to do Karate or how to behave while doing Karate.







Thursday, February 07, 2019

Shibui : the proper complex simplicity in your Karate.

                I came across a word the other day that totally made sense in reference to the ideals of Karate. The word is Shibui and it means Simple, subtle and unobtrusive beauty. It infers quality with economy of form, line and effort. Another way of defining or translating it is Refined Simplicity.
                For something to show Shibui it must be modest, natural, every day, imperfect and silent or not boastful.  Most of the time this is applied to the concepts of art or aesthetics, but this should also define good Karate. Elegance/simplicity, Effortless/ effectiveness and beautiful imperfections. It’s a way of explaining how something so basic can be so beautiful.


                The term came into use during the Muromachi period (1663-1573) as Shibushi, a term used to refer to sour or astringent taste. By the beginning of the Edo period (1615-1868) the term gradually began to refer to a pleasing aesthetic and it became a term used for almost anything, from song to dance. The term is used to refer to anything that is beautiful in a direct and simple way with out being flashy.
                To be Shibui an object or thing must appear to be simple but have depth to them with subtle details and texture that is balanced simplicity with complexity. The balance of simplicity and complexity ensure that the item is never obsolete, and one can constantly find new meaning and beauty that causes the value to grow over the years. It is very complex and walks the line between rough and elegant as well as spontaneous and restrained.

                Shibui is also a feeling of evolving perfection. The thing that is being felt is the life or spirit behind the qualities of any experience. This can be in simple everyday events, like watching the sun set or observing the waves splash against a dock. It’s the simplicity and “matter of fact” existence of something that makes it Shibui.
                Martial artists should strive to practice and bring Shibui to the performance of their techniques. This brings life to the Karate and performance of the Waza.   With great practice the expertise gained from the training causes the performance or repetition of the forms and waza to be naturally beautiful and uncomplicated. This means no one part of the performance stands out from the rest creating a balance of beauty in the performance. The training must make the performance effortless in performance.

                When I think of Shibui I automatically think of Kata from Osaka Sensei or the Kumite of the greats like Tanaka Sensei. They train so hard to make the work effortless, they chip away at the excess movement and they create a natural feel to what they are doing that makes it look effortless and yet beautiful. This is what you should focus on when training, getting to the point that the incredible effort you have put in to learn, refine and perfect form and function seem to create a Waza so every day and effortless in its execution.

                The current trend in Karate is to add so much fluff and glitter to a Kata or to be super fancy in Kumite and it has gone against the idea of Shibui that comes from the Japanese culture. You can still see this in the way that the Japanese perform the martial arts and other art forms however. Watching a true master do a Kata is an act of simplicity unto itself. No added movements, no screeching, just the simple but powerful movements along with the proper attitude and executions. The result is a simple, elegant and straight forwards presentation that shows the true cultural understanding of Shibui.
                For some reason the modern Karate scene, influenced by the “bigger is better” attitude that is so dominant in the west, has affected the presentation of both Kata and kumite in tournaments and in the dojo. Students rush to learn the deadly hook kicks and fancy high kicks, they bounce around like kangaroos and they focus their sparring on movements that “Score more points”, something also influenced by the west. And Kata…. don’t get me started. Modern day Kata is often filled with ego and extra screaming, with adding moves or exaggerated and altered techniques. Kicking the hip level is replaced by head kicking, snap kicking has been replaced with over exaggerated super high kicking and the total lack or loss of rhythm is masked by more screaming and horrible, but impressive, form.
                We have lost our appreciation or understanding of simplicity as an aesthetic. To truly understand the beauty of simplicity you have to watch a master who has perfected simplicity and who has created the cleanest of waza. One should focus on training with the most simple and efficient of movements. It is much better to end a fight with one perfect Ippon style waza than to win a game of tag in which you score more points. My opinion is that people got lazy, they failed to find that perfect form and that beautiful waza so they shifted their prerogative and changed the game.
               
                If training with simplicity or Shibui is hard for you, then you should really focus more on it. As a Karate practitioner we should be focusing on what is hard, not altering the game to make it easier. We should be striving to remove the excess and create the most elegant and simple style that we can, not adding flash to cover up blemishes. Shibui, to some extent, is not just elegant simplicity, it accepting our flaws and moving past them. Using them as a strength and pushing our self to refine even our weak points till they are part of who we are as a martial artist and building up the strengths by making them as simple as possible.